|Born||April 5, 1622|
|Died||September 22, 1703 (aged 81)|
Florence, Grand Duchy of Tuscany
|Known for||Viviani's theorem|
|Fields||Mathematician and physicist|
|Academic advisors||Galileo Galilei|
|Notable students||Isaac Barrow|
Vincenzo Viviani was born in Florence to the nobles Jacopo di Michelangelo Viviani and Maria Alamanno del Nente. While attending a Jesuit school Viviani studied the humanities. Following the study of humanities, Viviani turned to mathematics. He studied geometry under the instruction of Galilean follower Clemente Settimi. It was through Clemente that Viviani would gain recognition and meet Clemente’s instructor, Tuscan Court mathematician Famiano Michelini.  In 1638, Michelini initiated the Grand Duke Ferdinand II de’ Medici’s interest in Viviani and arranged their introduction in Livorno where Viviani would demonstrate his abilities. The Grand Duke offered Viviani a monthly salary to continue his education and introduced him to Galileo, whose deteriorating health required a capable and competent assistant. Later that year, Viviani was able to expand his knowledge over the philosophy of nature while assisting Galileo on Two new sciences, in which Galileo studied the acceleration of free bodies along an inclined plane. Their frequent exchange over the subject inspired Galileo to elaborate on the mathematical theory and complete his demonstration on free bodies that would establish its connection to nature. Viviani would later use similar applications of mathematics in nature during a collaboration with Nicolaus Steno.
In 1639, Viviani moved to Galileo’s home in Arcetri to assist him in his studies before they were joined by Evangelista Torricelli in 1641. Apart from being Galileo’s disciple, Viviani became a pupil of Evangelista Torricelli and worked on physics and geometry. Viviani was the last disciple of Galileo until Galileo’s death in 1642. 
After Torricelli's 1647 death, Viviani was appointed to fill his position at the Accademia dell'Arte del Disegno in Florence. Viviani was also one of the first members of the Grand Duke's experimental academy, the Accademia del Cimento, when it was created a decade later.
Apart from his own career and endeavors, Viviani worked throughout his life to preserve the contributions and life of Galileo. In 1654, Cardinal Leopoldo de’ Medici tasked Viviani with gathering material in order to write a biography about Galileo’s life and work. Carlo Manolessi also recruited Viviani to assist him and others in creating a compilation of Galileo’s work and coordinating the frontispiece for Galileo’s publication. 
From 1655 to 1656, Viviani edited the first edition of Galileo's collected works. Viviani tried to publish an account of the life of Galileo, but claimed that his efforts were halted by the Catholic church although this claim has been challenged.
One of the primary interests of Viviani was the study of the mathematics of the ancients. Viviani spent much of his life restoring the works of Aristaeus the Elder and Apollonius.
In 1660, Viviani and Giovanni Alfonso Borelli conducted an experiment to determine the speed of sound. Timing the difference between the seeing the flash and hearing the sound of a cannon shot at a distance, they calculated a value of 350 meters per second (m/s), considerably better than the previous value of 478 m/s obtained by Pierre Gassendi. The currently accepted value is 331.29 m/s at 0 °C or 340.29 m/s at sea level. It has also been claimed that in 1661 he experimented with the rotation of pendulums, 190 years before the famous demonstration by Foucault.
By 1666, Viviani started to receive many job offers as his reputation as a mathematician grew. That same year, Louis XIV of France offered him a position at the Académie Royale and John II Casimir of Poland offered Viviani a post as his astronomer. Fearful of losing Viviani, the Grand Duke appointed him First Mathematician of the Tuscan Court. The position was previously held by Galileo, whose death resulted in Torricelli’s appointment to the position, followed by Viviani years after Torricelli’s death. Viviani accepted this post and turned down his other offers. From 1666 to 1667, Viviani guided Nicolaus Steno on the geometrical propositions of anatomical figures and dissections of shark muscle fibers. The shark dissection figures in Elementorum myologiae specimen, seu musculi descriptio geometri demonstrated the possible functions of anatomical structures by combining anatomy with geometry while observing muscle contractions.
In 1737, the Church finally allowed Galileo to be reburied in a grave with an elaborate monument. The monument that was created in the church of Santa Croce was constructed with the help of funds left by Viviani for that specific purpose. Viviani's own remains were moved to Galileo's new grave as well.
- Racconto istorico della vita di Galileo Galilei (Historical Account of the Life of Galileo Galilei) (composed in 1654, published in 1717)
- "Relazione intorno al riparare per quanto possibile sia la città e campagne di Pisa dall'inondazioni" (April 12, 1684)
- "Viviani" article in the University of St Andrews
- Boschiero, Luciano (2005). "Post-Galilean Thought and Experiment in Seventeenth-century Italy: The Life and Work of Vincenzio Viviani". History of Science. 43: 77. Bibcode:2005HisSc..43...77B. Retrieved 2020-12-06.
- Meli, Domenico Bertoloni (2008). "The Collaboration between Anatomists and Mathematicians in the Mid-Seventeenth Century with a Study of Images as Experiments and Galileo's Role in Steno's "Myology"". Early Science and Medicine. 13 (6): 665–709. doi:10.1163/157338208x362714. ISSN 1383-7427. JSTOR 20617770. PMID 19244872.
- Segre, Michael (1989). "Viviani's Life of Galileo". Isis. 80 (2): 206–231. ISSN 0021-1753. JSTOR 234597.
- "Vincenzo Viviani - Biography". Maths History. Retrieved 2020-12-04.
- Rutgers, Jaco (2012). "A Frontispiece for Galileo's "Opere": Pietro Anichini and Stefano della Bella". Print Quarterly. 29 (1): 3–12. ISSN 0265-8305. JSTOR 43826225.
- M Segre, Viviani's life of Galileo, Isis 80 (2) (1989), 207-231.
- Vincenzo Viviani on museo galileo